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6 Feb 2010

Nonpoint set to release new album April 27th

Nonpoint has announced that “Miracle” will be the title to their new album which is set for release on April 27th through Nonpoint’s own record label 954 Records.  The album was produced by Chad Gray and Greg Tribbett of Mudvayne/HELLYEAH.

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1 Feb 2010

SLAYER, MEGADETH, TESTAMENT Announce New Dates For ‘American Carnage’ Tour

American Carnage Tour

American Carnage Tour

SLAYER and MEGADETH are thrilled to announce the new, confirmed routing for the “American Carnage” North American Tour, which will commence with the rescheduled “Canadian Carnage East” dates in Quebec City on Friday, July 23. SLAYER will then head to Europe for a run of festival dates, returning to kick off the “American Carnage” leg in Albany, NY on August 11.

“American Carnage” will play 26 dates across the United States and Eastern Canada up to the Labor Day weekend, ending in Portland, Oregon on September 4. TESTAMENT will be special guest on all shows. Tickets purchased for the “American Carnage” shows when they first went on sale late last year will be honored for these rescheduled dates.

Due to venue availability and other conflicts, the shows originally scheduled in El Paso, Houston, Nashville, Duluth, and Louisville cannot be rescheduled at this time, and ticket holders may obtain refunds at point of purchase. However, new cities have been added to the “American Carnage” itinerary, with dates now scheduled in Cleveland, Kansas City, San Diego, and Sacramento. The confirmed, complete itinerary is below.

The “American Carnage” tour, originally scheduled to take place in January and February, had to be put on hold due to SLAYER’s vocalist/bassist Tom Araya’s ongoing, minimally-invasive treatments for what was diagnosed as a cervical radiculopathy, an occupational hazard for the rocker who is known for aggressively swinging his long mane of hair while performing. Right after the first of the year, Araya made the difficult decision to undergo a surgical procedure, called an anterior cervical discectomy with fusion, a relatively routine practice with an excellent recovery rate. That surgery took place early last week.

“The doctors said that Tom’s surgery went very smoothly and was a resounding success,” said Rick Sales, longtime SLAYER manager. “He’s home now, doing really well, and he said the numbness in his fingers had already diminished considerably.”

Shortly after the surgery, SLAYER’s Kerry King received a text fromTom: “Awake and feeling good, actually whatever he did, it feels better.”

The “American Carnage” tour will mark the first time that SLAYER,MEGADETH and TESTAMENT will have toured the U.S. together since 1991’s epic “Clash of the Titans” tour, making this truly a “must-see” event.

SLAYER recently announced the rescheduling of its headline tour in Europe, and MEGADETH and TESTAMENT are currently on tour together playing U.S. cities that will not be on the “American Carnage” itinerary.

“American Carnage” North American tour dates:

Jul. 23 – Pavillon de la Jeunesse, Quebec City, QC CANADA
Jul. 24 – Heavy MTL, Parc Jean-Drapeau, Montreal, QC CANADA
Jul. 26 – Metro Centre, Halifax, NS CANADA
Jul. 27 – Moncton Coliseum, Moncton, NB CANADA
Jul. 29 – Molson Amphitheatre, Toronto, ONT CANADA
Jul. 30 – John Labatt Centre Center, London, ONT CANADA
Aug. 11 – Glens Falls Civic Center, Glens Falls, NY
Aug. 12 – Izod Center, East Rutherford, NJ
Aug. 14 – Tsongas Arena, Boston, MA
Aug. 15 – Susquehanna Bank Center, Camden, NJ
Aug. 16 – Chevrolet Theatre, Wallingford, CT
Aug. 18 – Tower City Amphitheatre, Cleveland, OH
Aug. 19 – Joe Louis Arena, Detroit,MI
Aug. 20 – UIC Pavillon, Chicago, IL
Aug. 21 – Roy Wilkins Auditorium, Minneapolis, MN
Aug. 23 – Cap Fed Park @Sandstone, Kansas City, KS
Aug. 25 – Magness Arena, Denver, CO
Aug. 26 – Tingley Coliseum, Albuquerque, NM
Aug. 27 – Dodge Theatre, Phoenix, AZ
Aug. 29 – Cricket Wireless Amphitheatre, San Diego, CA
Aug. 30 – Long Beach Arena, Long Beach, CA
Aug. 31 – Cow Palace, San Francisco, CA
Sep. 01 – Arco Arena, Sacramento, CA
Sep. 03 – Wamu Theatre, Seattle, WA
Sep. 04 – Washington County Fairgrounds, Portland, OR

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31 Jan 2010

BENEATH To Release ‘Hollow Empty Void’ EP In February

Beneath - Hollow Empty Void

Beneath - Hollow Empty Void

Icelandic death metallers BENEATH will release their debut EP, “Hollow Empty Void”, on February 13 via Mordbrann Musikk. The CD was recorded, mixed and mastered by guitarist Johann Ingi Sigurdsson atFossland Studio in Hafnarfjörður, Iceland.

According to a press release, “Hollow Empty Void” paints a picture of apocalypse and decay through four hard hitting death metal slabs with a technical edge. Included on the CD are two bonus live tracks, showcasing the live talents of the group. Certain to appeal to fans of luminaries such as BEHEMOTHHATE ETERNALPSYCROPTICNILE andDECAPITATEDBENEATH is poised to conquer far beyond their homeland.

“Hollow Empty Void” track listing:

01. Oblivious
02. Shadows Of Old
03. Wartorn
04. Rebirth
05. Rebirth (live)
06. Shadows Of Old (live)

BENEATH is:

Gisli Sigmundsson – Vocals
Johann Ingi Sigurdsson – Guitar
Unnar Sigurdsson – Guitar
Gisli Runar Gudmundsson – Bass
Ragnar Sverrisson – Drums

For more information, visit www.beneathmetal.com.

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31 Jan 2010

WITHIN TEMPTATION Singer To Guest On New OOMPH! Greatest-Hits Collection

oomph

oomph

German industrial rockers OOMPH! will release their first greatest-hits collection with English lyrics at the end of February. The compilation, titled “Truth or Dare”, will contain re-recordings of some of the band’s most famous songs. One of these tracks is “Land Ahead” (original title“Land in Sicht”), which will feature Sharon den Adel (WITHIN TEMPTATION) singing a duet with OOMPH! frontman Dero. The song is expected to be released as a single as well.

“Truth or Dare” track listing:

01. Ready Or Not (I’m Coming)
02. Burning Desire
03. Song Of Death
04. Labyrinth
05. Sandman
06. The Final Match
07. God Is A Popstar
08. Wake Up
09. Land Ahead
10. Sex Is Not Enough
11. Crucified
12. The Power Of Love
13. True Beauty Is So Painful
14. The First Time Always Hurts
15. Dream Here (With Me)
16. On Course

In other news, OOMPH! will release a new album before the end of the year, followed by a European headlining tour.

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31 Jan 2010

APOSTASY: Four New Songs Available For Streaming

Four new songs from the Swedish black metal act APOSTASY are available for streaming on the band’s MySpace page. The tracks will appear on the group’s forthcoming third full-length album, “Nuclear Messiah”, which will be released later in the year.

“Nuclear Messiah” was recorded in part at Ballerina studios in Umeå, Sweden.

Vocalist Fredric Edin previously stated about the upcoming CD, “It’s been a rocky road for us when we lost [guitarist] Henrik [Johansson], but now we are stronger than ever and can guarantee you folks that this will surely be the most brutal and most technical we have ever made, so what I want to say is: We don’t slow down like everybody else does, we just accelerate and make it more brutal. It is worth waiting for!”

APOSTASY made national headlines in Sweden in 2006 when the group’s guitarist Henrik Johansson was stabbed to death by his girlfriend. At 3:55 a.m. on March 9, 2006, the 19-year-old girlfriend dialed 112 (the Swedish equivalent of 911 in the U.S. or 999 in the U.K.) and said that her boyfriend was lying bleeding on the floor in the couple’s apartment in Kramfors, Sweden. When the paramedics and police arrived, Henrik Johansson was already dead.

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31 Jan 2010

SEVENDUST To Release New Song Next Week

Sevendust

Sevendust

Our home town boys, SEVENDUST, have finished mixing their new album, “Cold Day Memory”, for a tentative spring release. The band says, “It’s getting close to time to previewing a new song for all of you. Keep an eye out this week and next for a new song that we will post for everyone that has been waiting.

“We wanted to release a preview to the hardcore fans that have been with us, and give you a taste of what’s to come.

“Still putting together the final touches, but the second the song is ready. We’ll have it up for all to hear.

“We want you to have something fresh to listen to to gear up for the new tour coming in February.”

“Cold Day Memory” track listing:

01. Splinter
02. Forever Dead
03. Unraveling
04. Last Breath
05. Karma
06. Ride Insane
07. Confessions (Without Faith)
08. Nowhere
09. Here And Now
10. The End Is Coming
11. Better Place
12. Strong Arm Broken

“Cold Day Memory” was recorded at Groovemaster Studios in Chicago, Illinois with producer Johnny K (DISTURBEDSTAINDMACHINE HEAD).

Prior to hooking up with Johnny K for the new album recording sessions,SEVENDUST spent time writing and recording demos with Corey Lowery(former member of DARK NEW DAYSTEREOMUD and STUCK MOJOand brother of SEVENDUST guitarist Clint Lowery) engineering.

SEVENDUST released a very limited-edition box set in November 2008 entitled “Packaged Goods”. Each five-disc set was personally autographed by the entire band. The box set included SEVENDUST’s 2005 release “Next”, 2007’s “Alpha”, 2007’s “Retrospective 2″ (CD + DVD), and 2008’s “Chapter VII: Hope & Sorrow”.

SEVENDUST’s last album, “Chapter VII: Hope and Sorrow”(7Bros/Asylum), came out in April 2008. The CD sold 25,000 copies in the United States during its first week of release to land at position No. 19 on The Billboard 200 chart.

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31 Jan 2010

OLDE WOLBERS: Why Can’t We All Sit Down And Figure Out A Way To Do Another FEAR FACTORY Record?

Fear Factory - Decibel Magazine

Fear Factory - Decibel Magazine

The March 2010 issue of Decibel magazine features a cover story onFEAR FACTORY, including interviews with the band’s currently active members Dino Cazares (guitar) and Burton C. Bell (vocals), as well as their former bandmates Raymond Herrera (drums) and Christian Olde Wolbers (guitar, bass). A few quotes from the article follow below.

On Burton C. Bell’s decision to quit FEAR FACTORY in 2002 and the band’s subsequent reformation without Dino Cazares:

Raymond Herrera: “The problems with this band have never been musical. It’s always been personal.”

“There’s no confusion as to why Dino was fired. It was because Burtondidn’t want to work with him anymore. I had problems with Dino for a long time, but I never wanted to fire the guy.”

Christian Olde Wolbers: “We all had our issues with Dino, from the way he conducted business to the way he treated people, but Burton was the one who turned his back on the band.”

Burton C. Bell: “Dino and I lived together for about 10 years, so it was like a marriage, where you get fed up with the littlest shit. It was egos more than anything, and feeling like I’d have enough of this relationship. It was like Thomas Jefferson and John Adams. They were best friends, but then they suddenly didn’t talk for years.”

On FEAR FACTORY’s first album without Dino’s contributions, 2004’s“Archetype”:

Dino Cazares: “The first time I heard ‘Archetype’, I had to do a double take, because it sounded just like me. Then I talked to Burton about it and he was like, ‘Yeah, that’s what ‘archetype’ means! It’s a copy!’”

On the the misguided hiring of producer Toby Wright (ALICE IN CHAINSKORNSEVENDUST) for FEAR FACTORY’s 2005 album,“Transgression”:

Raymond Herrera: “Needless to say, I’m not 100 percent happy with it. Not because I don’t like what we wrote; because we never gave it the old college try.”

Christian Olde Wolbers: “When I heard the final mix of‘Transgression’, I couldn’t believe my fucking ears. It was the worst piece of shit I’ve ever heard in my life.”

Burton C. Bell: “It got to the point where the money didn’t mean shit to me. They were talking about doing another record and I said, ‘That’s great. Fire your manager. I’m not paying that bitch anything else.’ And they wouldn’t.

“Once you hit a peak, there’s only one place you can go: down. And we definitely went down.”

On Cazares and Bell’s decision to reunite in a new version of FEAR FACTORY with bassist Byron Stroud and drummer Gene Hoglan:

Raymond Herrera: “At one point, Dino and I were really good friends. But I never felt that way with Burton. We never really hung out, you know? It always felt like a business.”

Christian Olde Wolbers: “I’ve never trusted Burton with business matters. In fact, I wish he was more of a businessman, like a lot of other singers are. If he took charge with things, we would be a huge band by now.”

Burton C. Bell: “After the third decline [to relieve Christian's ex-wifeChristy Priske of her manager position], I said, ‘OK, I’ve got to move forward with my business… legally.’”

On the songwriting process for FEAR FACTORY’s new album,“Mechanize”:

Burton C. Bell: “When we first got into the studio. It was like a joint chief of staff meeting, where everyone’s working together toward the same goal, especially Dino — he was just a riffing machine. Fans are finally going to be able to hear the chemistry that brought FEAR FACTORYtogether in the beginning.”

On the legal battle over the FEAR FACTORY name:

Raymond Herrera: “I’m not battling to get my band back. What I’m fighting for is what I’ve built for 17 years. I’d say I’m an intricate part of what the brand has become, so I just want what’s due to me.

“Look, a group of kids could wake up tomorrow and call themselves FEAR FACTORY. I could also walk into a church and kill a bunch of people. It doesn’t mean I’m going to get away with it or that it’s a good idea.”

On the possibility of a reunion of FEAR FACTORY’s classic lineup:

Christian Olde Wolbers: “I sent an email to Dino a couple weeks ago, and was like, ‘Do you want to grow old regretting this until it’s too late, like the guys in SEPULTURA or PANTERA?’ It’s really fucking sad that bands let things get that way, with so much drama and band members dying… it reaches a point where you just can’t do it anymore.”

“If Dino and Burton are friends again, why can’t we all sit down and figure out a way to do another FEAR FACTORY record? Especially with how my skills improved over the past few years — Dino and I could write a sick record. Are you fucking kidding me? We’d blow all these wannabe bands away, but these guys just want to move on with the whole name in shambles. It just isn’t right.

“I see a band like MACHINE HEAD and it’s like, ‘Wow. We were doing the same thing for a while there, and now they’re touring with METALLICA. It makes you think, ‘What the fuck is going on?’ You know?”

The March 2010 issue of Decibel magazine is available for order at this location.

For more information, visit www.decibelmagazine.com.

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31 Jan 2010

ALICE IN CHAINS Bassist Interviewed At NAMM; Video Available

David “Gus” Griesinger of BackstageAxxess.com conducted an interview with ALICE IN CHAINS bassist Mike Inez at this year’s NAMM (National Association Of Music Merchants) show, which was held January 14-17, 2010 at the Anaheim Convention Center in Anaheim, California. Watch the chat below.

ALICE IN CHAINS will embark on a new North American tour in early February. This round of dates is the group’s latest in support of its first studio album in 14 years, “Black Gives Way To Blue”, which arrived in September and features the recording debut with the band of singer and guitarist William DuVall.

The band recently released a new single called “Your Decision” for rock radio, with a video available via iTunes. The slower, acoustic-based number is reminiscent of earlier ALICE material in the same vein, butDuVall told The Pulse of Radio that he thinks the album “moves the ball forward” musically for the band. “It absolutely moves the ball forward, absolutely, and we wouldn’t have done it otherwise, if we didn’t think that we had a shot at moving the ball forward,” he said. “I mean, that’s totally been the goal from day one and I think it’s achieved, you know. I think it adds to, it builds upon what’s there.”

Part 1:

Part 2:

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31 Jan 2010

NECRODEATH’s Cover Of SLAYER’s ‘Black Magic’ Available For Streaming

Necrodeath

Necrodeath

Long-running Italian extreme metallers NECRODEATH will celebrate their 25th anniversary by releasing a covers album, entitled “Old Skull”. The CD, which is due on February 5, features guest appearances by members of influential Italian thrashers BULLDOZER and former members ofSCHIZO.

“Old Skull” was recorded at Quake Sound Studios in Rapallo (Ge) and was produced by the bandmembers themselves. It was mixed byGiuseppe Orlando at Outer Sound Studios in Rome and was mastered by Simone Mularoni at Fear Studios in Ravenna. The cover artwork was created by Davide Nadalin and Nerve Design.

“Old Skull” track listing:

01. Mater Tenebrarum (NECRODEATH 2010)
02. Black Magic (SLAYER)
03. Raise the Dead (BATHORY)
04. Pleasure to Kill (KREATOR)
05. Paranoid (BLACK SABBATH)
06. Sodomy and Lust (SODOM)
07. Bloodlust (VENOM)
08. Ace of Spades (MOTORHEAD)
09. Am I Evil? (DIAMOND HEAD)
10. Mater Tenebrarum (NECRODEATH 1985)

NECRODEATH’s cover version of the SLAYER classic “Black Magic” is now available for streaming at this location.

NECRODEATH is:

Peso: Drums
Flegias:Vocals
Pier: Guitars
Gl: Bass, Backing Vocals

Additional musicians:

Claudio (ex-NECRODEATH) – Guitar on “Raise the Dead”
A.C.Wild (BULLDOZER) – Additional Voice on “Mater Tenebrarum”
Andy Panigada (BULLDOZER) – Guitar on “Ace of Spades”
Andy Bonfiglio (ex-NECRODEATH) – Guitar on “Am I Evil?”
Alberto Penzin (ex-SCHIZO, MONDOCANE) – Bass on “Sodomy and Lust”
John (ex-NECRODEATH, RAZA DE ODIO, CADAVERIA, DYNABYTE) – Bass on “Black Magic”

An Italian tour in support of the CD will kick off in early March.

NECRODEATH’s last album, “Phylogenesis”, was released in April 2009 via Scarlet Records.

Necrodeath - Old Skull

Necrodeath - Old Skull

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31 Jan 2010

MASTODON: New Video Interview Available

Video Hits‘ Faustina Agolley and Dylan Lewis conducted an interview with Atlanta progressive metallers MASTODON at Australia’s Big Day Out 2010 festival on January 15, 2010. Watch the chat below.

In a recent interview with PyroMusic.netMASTODON vocalist/bassistTroy Sanders stated about the songwriting process for the band’s latest album, “Crack the Skye”, and plans for the group’s follow-up effort, “Like the constellations, we like to create patterns and tell stories. Creating stories for us is… telling the story is parallel with our band and personal lives and experiences. It’s left literal that way and it allows us to create these stories and create a broader picture. Again, I like to use the word multi-dimensional. We like to have that in our sound and our stories. So, it’s a way for us to get personal as well as more mystical.

‘Crack the Skye’, it was based around the element of ether. So that kind of… you know, ‘Leviathan’ was water, ‘Remission’ was fire, ‘Blood Mountain’ was elements of earth and now ‘Crack the Skye’ is literally surrounding the element of ether, the dark matter that dominates the universe, you know, outside of our atmosphere. So the book of elements, the chapters are complete and now we can close the book of elements. Where this leads us, we don’t know yet, but having a themes throughout our past four records has definitely worked for us. Whether we’ll continue on that path, it’s too early to tell.”

“All of our music is very, it’s not really predetermined. None of our ideas are predetermined. We don’t get together and go, ‘Hey, guys, let’s put out a brutally heavy album next,’ or ‘Hey, guys, let’s have a couple of short and sweet songs.’ It never happens like that. It just, we just let the authenticity reveal itself. Whatever emotions come through our souls and out of our fingers and through our instruments and into our ears, that circle just comes very naturally. Whoever’s got an idea, whoever’s got a feeling, we just kinda lay it on the table and then begin to elaborate on that and then we go through it meticulously, over and over until we write what we consider a good song. Then we’ll do that until we feel we have an album’s worth of material. So nothing is talked about or preconceived at all.

“The musical waters, we’re free to float on any musical waters we choose and I have no idea where this band is… I have no idea where this band’s sound is moving towards.

“When we’re done touring the ‘Crack the Skye’ record, we’ll go home, rejuvenate our batteries both mentally and physically and then we’ll go down to our space, our practice space and just start hashing out whatever ideas people have that we’ve collected along the way. So it’s a big question mark.”

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31 Jan 2010

MEGADETH’s DAVE MUSTAINE Checks In From ‘Rust In Peace’ Tour Rehearsals

Megadeth - Rust In Peace

Megadeth - Rust In Peace

MEGADETH mainman Dave Mustaine has issued the following update:

‘Rust In Peace’ [tour] rehearsals are going pretty good. We are sorting out some new gear, organizing the stuff we’ve got, hot-rodding everything, and deciding on several aspects of the show. Of course we realize that ‘Rust In Peace’ was approximately 45 minutes long, and our show is longer than that, that we are going to need to keep several other classics in the show as well as our favorite new songs too.

“So far we went over ‘Holy Wars’‘Hangar 18′‘Tornado of Souls’,‘Take No Prisoners’‘Five Magics’, and ‘Poison Was The Cure’. I am letting a DAT run in the background for serendipity in case I have a moment where I come up with something new and it doesn’t slip away if I don’t record it.

“It may sound strange to hear that we are going over the songs that we already know, but this is a pivotal record in heavy metal and it didn’t become that way by playing what we think is right. We have all been under the microscope and we have found several things that we have improved on, as well as learning the new ‘Rust In Peace’ songs, and I can’t stop smiling while we are playing.

“It’s kinda cool too to be brainwashing myself with ‘Rust In Peace’before we get ready to go into the studio for our ultimate Roadrunnerrecord. I am not going to go on record and say anything yet until I can sing over these songs, but for now, watching Chris [Broderick] play these solos is mind-blowing. It’s just like Marty [Friedman] was here again.

“When you guys ’see’ Shawn [Drover, drums] you are going to be blown away, as well as how ferociously he is playing right now.

“Speaking of Shawn, we are getting ready to go with James [Lomenzo, bass] up to the Grammys today, and do some pre-lim stuff. Shawn and I wrote ‘Head Crusher’, and the funny thing is that this is my eight nomination and I have never won. I think what’s the use going, but then I see Shawn’s enthusiasm for his first time ever being nominated, and I am actually excited for our chances and for him. Of course we are nominated in a category with formidable competition, and they are all of our friends. I actually joked with Kerry King and said, ‘Can ya let us win it this year?’

“Honestly, I don’t think I was ready to fully appreciate what this all means the previous times. I know that we may win, and that we may not. I know what it feels like to lose, and I would like to know what it feels like to win. I mean, I would really be excited if Shawn and I won, but either way we have been recognized by our peers to be one of the best and I am proud to be back in the finals for the Grammys.”

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31 Jan 2010

METALLICA: Video Interview, Pro-Shot Footage Of Buenos Aires Concert Available

Argentina’s La Viola conducted an interview with METALLICA drummerLars Ulrich and filmed the band’s January 21, 2010 performance at the River Plate Stadium in Buenos Aires. Watch the footage below.

A policeman was injured and 120 people arrested when rioting broke out outside METALLICA’s January 26, 2010 concert in Santiago, Chile, according to the Latin American Herald Tribune. Authorities said that most of the arrests were made when hundreds of fans who did not have tickets attempted to force their way into the Club Hipico horse-racing grounds to see the show, which was attended by a crowd of more than 50,000. Police colonel Miguel Angel Castro said, “A group of people tried to enter without tickets and Carabineros (militarized police) had to act, launching water.”

Charges against those arrested included disorderly conduct, drug possession and drinking in public.

The gig was the sixth on METALLICA’s current South American trek, which began on January 19 with the band’s first-ever appearance in Lima, Peru. The crowd of 55,000 at that show was the biggest for a musical event in Peruvian history.

The group wraps the first leg of the jaunt this weekend in Brazil, resuming in early March with stops in Mexico, Guatemala, Costa Rica, Venezuela, Panama and Colombia.

Interview:

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Performance:

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31 Jan 2010

MY RUIN: More Video Footage From The Studio Posted Online

MY RUIN — the Los Angeles based rock duo featuring lead screamerTairrie B and husband/guitarist Mick Murphy — has been hard at work in the studio recording its sixth full-length album, “Ghosts and Good Stories”, for an early 2010 release via Tiefdruck-Musik.

more video footage from the vocal-tracking sessions at MB Studios can be viewed below.

Commented Tairrie: “Our new album will be a testament to our strength as a band and the devotion we share to the music we have continued to create together against all odds and outside forces.

“We all have regrets and mistakes we have made trusting and believing in something or someone and ghosts of our past that haunt us but we also have passion for what we love and love lasts. Ironically, [in late 2008], I could never have imagined we would write this album, which is by far the most honest and heartfelt album of our career. I definitely have some good stories to tell and some serious heavy metal rock and roll thunder underneath them as well.”

MY RUIN’s last album, “Throat Full of Heart”, was released in the U.S. in August 2008 through the band’s imprint label Rovena Recordings viaRedeye USA. The CD was recorded at The Hobby Shop in Highland Park, California (owned by producers Mudrock and Scott Gilman) and was co-produced by Murphy and Duane Burda.

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31 Jan 2010

NEW: Facebook style chat comes to ATLmetal.com! With MUCH more options!

We are excited to announce the NEW ATLmetal.com (Facebook Style) Chat! Our chat has many more options than the Facebook chat including Chatrooms, Themes, File Sharing, Status Updates, and many more! We have new features in the works including VIDEO CHAT! Stay tuned.

Currently the ATLmetal.com Chat is only for Registered Fans. Support for Registered Bands is coming soon.

So get signed up, login, and start chatting and enjoying all the posibilites of the NEW ATLmetal.com Chat today!

ATLmetal Chat

ATLmetal Chat

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30 Jan 2010

LEVIATHAN: Live CD/DVD Details Revealed

Leviathan

Leviathan

After a break of eleven years, the original lineup of the Colorado-based progressive metal band LEVIATHAN reunited for a special concert on January 9, 2010 at the Buffalo Rose in Golden, Colorado. The show was filmed and recorded for a double CD/DVD digipack, to be released later in the year. The set will contain a CD of the entire concert (around 75 minutes) as well as a DVD.

Commented guitarist/keyboardist John Lutzow: “I really want this to be different than any other bands DVDs I have ever seen. It has multiple visuals playing as holograms or ghosts in the corners.

“We had a huge projector screen playing to the right of the stage so those visuals come through the main camera feed also. Over the top I have still pictures fading in and out with transparency.”

The track listing will be as follows:

01. Salvation
02. Speed Kills
03. Friends Imaginary
04. Census Of Stars
05. Degenerating Paradise
06. Paying The Toll
07. Pages Of Time
08. Confidence Not Arrogance
09. J. Christopher’s Haunting
10. If These Walls Could Talk
11. Medley (Sanctuary, Fear Of Change, Run Forever, Mindless Game Control)
12. Leviathan

The DVD will contain about 30 minutes of bonus material covering the band’s entire history.

LEVIATHAN 2010 is:

Jeff Ward – Vocals
Ronnie Skeen – Guitar
John Lutzow – Guitars, Keyboards, Vocals
Derek “Deke” Blake – Bass, Vocals
Trevor Helfer – Drums, Percussion

More live shows are planned and a brand new record is in the works for a late summer/fall 2010 release.

LEVIATHAN issued a self-titled EP in 1991, followed by the critically acclaimed releases “Deepest Secrets Beneath” (1993), “Riddles Questions Poetry & Outrage” (1995) and “Scoring the Chapters”(1997).

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30 Jan 2010

IN FLAMES, KILLSWITCH ENGAGE, SONIC SYNDICATE Honored At BANDIT ROCK AWARDS

IN FLAMESKILLSWITCH ENGAGE and SONIC SYNDICATE are among the artists who were honored at last night’s (Friday, January 29) Bandit Rock Awards at Tyrol in Stockholm, Sweden. The awards ceremony was organized and hosted by the Stockholm-based radio station Bandit Rock 106.3.

The complete list of winners:

* Best Swedish Group: SONIC SYNDICATE
* Best International Group: MUSE
* Best Swedish Album: DEAD BY APRIL – “Dead By April”
* Best International Album: KILLSWITCH ENGAGE – “Killswitch Engage”
* Best Swedish Live Act: IN FLAMES
* Best International Live Act: MUSE
* Swedish Breakthrough: CORRODED
* International Breakthrough: AIRBOURNE
* Most Played group: MUSTASCH

MUSTASCHSONIC SYNDICATERAISED FISTDARK TRANQUILLITYand BIFFY CLYRO are among the artists that performed short sets at the event, which was broadcast live on the radio.

Bandit Rock Awards

Bandit Rock Awards

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30 Jan 2010

APOCALYPTICA Recording New Album

Finnish rock cello quartet APOCALYPTICA has entered Sonic Pumpstudios in Helsinki to begin recording its new album for a spring/summer release.

A photo from the recording sessions can be viewed below.

APOCALYPTICA scored its first No. 1 rock radio hit in 2008 with “I Don’t Care”, the most recent single from the band’s sixth studio album,“Worlds Collide”. The disc has sold around a quarter million copies in the U.S. and marks the group’s first significant success in this country inAPOCALYPTICA’s 15-year career. APOCALYPTICA’s Paavo Lotjonentold The Pulse of Radio that their newfound recognition has been worth all the effort. “It’s been really amazing, all the success we have got,” he said. “Of course it has taken a lot of work and we have given our heart to this. But I feel that it’s been worth that and we have reached something new.”

“I Don’t Care” features guest vocals from THREE DAYS GRACEfrontman Adam Gontier.

SLIPKNOT’s Corey Taylor contributed vocals to the CD’s first single,“I’m Not Jesus”.

Apocalyptica

Apocalyptica

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30 Jan 2010

LAMB OF GOD Drummer: ‘The World Isn’t Getting Any Easier To Live In’

Lamb of God

Lamb of God

David Marchese of SPIN.com recently conducted an interview with drummer Chris Adler of Richmond, Virginia metallers LAMB OF GOD. An excerpt from the chat follows below.

SPIN.com: How are you feeling about your chances for a Grammy? You’re up against some pretty big names — SLAYERJUDAS PRIEST,MEGADETH, and MINISTRY.

Adler: Yeah, we were as surprised as anyone that we got nominated. But we’ve been through the process once before, so we know what to expect…. But the metal categories never seem to get televised.

SPIN.com: Is it a bit anti-climactic to actually go to the ceremony?

Adler: We still got all dolled up last time. Just kidding! You can take the redneck out of the country, but you can’t take the country out of the redneck.

SPIN.com: Which of your fellow nominees would you be least upset to lose to?

Adler: Probably MEGADETH. I know that they’ve been nominated eight times and never won.

SPIN.com: They’re the Susan Lucci of heavy metal.

Adler: [Laughs] I won’t tell them you said that! But we know that band pretty well. They’ve been through the wringer. They deserve to win.

SPIN.com: It’s unusual for a band to have their sixth album be their highest charting. Why do think you guys have been able to keep growing your fan base 15 years into your career?

Adler: In truth, I thought we’d peaked with [2006's] “Sacrament”, which went to No. 8 on the album chart. “Redneck” from that album got played in a lot of places metal doesn’t normally get played. And with the attention span of today’s music fan being what it is, I thought we’d run our course popularity-wise. So we were all shocked at the fact that we intentionally put out a more aggressive album with “Wrath” and then had it sell better than the last one. It was really heartening. But by way of explanation, all I can think of is that the world isn’t getting any easier to live in. A lot of people need to release some pressure, and I think heavy metal helps people do that. It’s a stress relief.

Read the entire interview from SPIN.com.

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30 Jan 2010

MASTODON Drummer: ‘We’re Definitely Interested In Progressing Our Sound’

Kyall Robinson of Australia’s The Metal Forge recently conducted an interview with drummer Brann Dailor of Atlanta progressive metallersMASTODON. A couple of excerpts from the chat follow below.

The Metal Forge: So you’ve recently come to Australia off the back of a big tour with HIGH ON FIRECONVERGE and DETHKLOK, how does that sort of thing compare to the Big Day Out festival, now that you’re playing with MUSE and PEACHES and all that?

Dailor: “It’s a totally different thing. This reminds me a lot more of like, an eclectic European style festival. It’s you know, our previous tour was like a celebration of music, but this is a celebration of music and artists that are kinda, ‘unique’ in their own special way, lots of different cool music that’s going on. It gives you the opportunity to see a lot of groups that we wouldn’t normally get the chance to see because we tour so much, when MUSE or THE MARS VOLTA or THE DECEMBERISTS orPEACHES come to town, we’re usually gone. So it’s nice to be able to tour with them, get to know them and stuff like that, so it’s cool. A nice melting pot of artists.”

The Metal Forge: So then, do you feel kinda like the dark horse of this festival, being one of the only real metal bands on the line-up?

Dailor: “I think FEAR FACTORY are probably more metal than we are! But no, we don’t feel like that at all. We’ve been lucky enough to do plenty of these kinds of festivals with these kinds of bands so you’d be surprised at the people that come out and are into metal. At the end of the day I guess music’s music, a lot of musicians especially are into lots of different kinds of music the same way that we play music that’s rooted in metal but I think it goes into lots of different areas and I know for a fact that everybody in the band isn’t just sitting around and listening to metal all day long. Quite the opposite! We listen to a lot of different kinds of music, I think you have to if you’re gonna be any kind of musician”

The Metal Forge: Comparing last time you came here with SLAYER, and the crowd that followed them and your recent tour in the states, how does the crowd compare?

Dailor: “Those shows we did with SLAYER were kinda like, your simple metal fans, your super, super metalheads. So there’s a lot of people who have heard of the band who are just gonna watch and nod their heads, maybe this is the first time they’ve ever heard us and maybe they like it? I dunno. It’s a great opportunity to hopefully take on a bunch of new fans. I guess a lot of people here in Australia trust in the ‘curators’ of the Big Day Out and trust that they’re gonna provide them with the very best and eclectic mix of music that’s going on out there in the world today. So it’s kinda cool that this would sell out before the line-up has been fully announced so it’s cool that it’s a very prestigious festival and there’s a lot of trust there from the fans that come out to have a good time and get rocked by something and hopefully discover something new! So hopefully we can be that something new for some people that come out.”

The Metal Forge: So, your set list now is dominated by material from“Crack the Skye”, is this an indication of departing from the roots of your first albums, or are you just interested in really progressing your sound?

Dailor: “We’re definitely interested in progressing our sound and going different places with it. It’s not something that’s like talked about with us, but we’ve always been really into ’70s prog and different kinds of music. So we kinda feel like we’ve covered the metal end of it and we always wanna hold onto that but we wanna go do other things as well and haveMASTODON be able to sorta quench all the musical thirsts of the band members. Just try to see what we can do and what new ground we can discover and try to keep it interesting for ourselves and the listeners. I know there’s a crowd out there that want the same record over and over, but that’s not really what we want to do. We want to branch out and tell people there’s more to us than that. We just like a lot of different kinds of music and we want to be able to explore all those different options and have MASTODON be that vessel.”

The Metal Forge: So would you say that the band’s influences have changed at all? Or are you just continuing the progression?

Dailor: “It’s whatever the mood is, we’re obviously maturing and getting older as people. Whereas we’d listen to old GENESIS and KING CRIMSON in the van when we were first starting out, it’s like where we’re heading or so it seems.”

The Metal Forge: One of the things I appreciate about MASTODON is that vocal duties are shared between all members of the band, was it a conscious decision or did it just happen?

Dailor: “Troy and Brent never wanted to be vocalists in the first place, so it’s kinda funny that it fell upon them now. We had a guy that had a microphone that just ran around and screamed in the beginning. So he was on our demos and he just wasn’t having a good time. He wasn’t from Atlanta, he was from New York where myself and Bill are from, so it was hard for him in Atlanta. He decided to move back, but he decided like three or four days before we were supposed to leave for our first kinda not real tour, it was a tour we booked ourselves that was gonna take us up the east coast and back, so it was a three-week long tour. We kinda didn’t have anything out there yet, so Troy and Brent were kinda like, ‘Well, we’ll just fill in I guess and as we go along we’ll figure some lyrics out to sing,’ so it was on the fly, but we were playing in people’s basements so it really didn’t matter, we could have been an instrumental band and we would have been fine. But Troy and Brent started filling in wherever they could and felt comfortable. So from there Bill came in and started singing a little bit here and there and when we started recording stuff that’s when everybody kind of got their ideas of where to put vocals and where to put lyrics. It all kinda matured from there and the vocals always had a strange evolution outside the music. I mean, like going from ‘Remission’ to ‘Leviathan’‘Leviathan’ saw Brent really step out and actually sing a couple of songs, we came up with some melodies and we’d all work together on those melodies and lyrics, so it was a communal situation to begin with vocals and lyrics wise, there wasn’t ever like one person who was appointed the duty. So it was free game, whoever had a free idea was more than welcome to try it out and whoever had an idea for a song was more than welcome to write it. I think if you start out and you have a vocalist, it’s kind of assumed that it’s his job or duty to write the lyrics and take care of all that, then you have the drummer who’s job it is to play drums and the guitarist who’s job it is to write guitar parts and so on so forth. But with us, things got mish-mashed and it turned out really good I think. I think that’s what really surged us forward and gave us a kind of unique blend where everybody was contributing all the time. So now on this new record we incorporated my vocals as a little surprise, so I guess I’m guest vocals on this album! I don’t know what we’re gonna do next, I guess I’ll keep singing and stuff, it’s a little bit hard when you’re playing the drums and singing. You’ve really gotta pick your moments and see if you can pull it off but if you’re moving around constantly it is a little weird, it gets a little strange especially if you’re doing double bass and stuff and trying to sing it’s hard to keep your voice steady, it’s like ‘nyererererererererer.’”

Read more from The Metal Forge.

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30 Jan 2010

I SHALT BECOME Working On New Album

A long-legendary name in black metal, I SHALT BECOME is currently working on a new studio album for Moribund Records, with the band slated to enter the studio next month. As yet untitled, I SHALT BECOME’s new CD will be its second full-length for the label (the band’s cult“Wanderings” demo was reissued by Moribund in 2006, with 2008’s“Requiem” being the band’s first post-retirement recording) and also the first to feature real, live drums. Mainman S. Holliman reports, “Honestly, I’m not sure what I can say about it as it’s genuinely unlike anything else I’ve heard,” while drummer A. Scherer offers that it’s “atmospheric, orchestral plague metal for those whom ride gallant on black steed from the foul, gaping maw of Hell itself to wage War on ignorant mortals” or just “really fucking good.”

I SHALT BECOME’s new album is tentatively slated for release during the second half of the year.

For more information, visit www.myspace.com/ishaltbecome.

I Shalt Become

I Shalt Become

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